Buddha in Mathura Style| Mathura School of Art | Buddhist art

You are currently viewing Buddha in Mathura Style| Mathura School of Art | Buddhist art
Buddha in Mathura Style| Mathura School of Art | Buddhist art

Mathura was a great center for making sculptures during the early historic period and many images have been found here. A large number of images dating back to the Kushana Period are from Mathura. A distinct way of sculpting practiced at Mathura makes the images found here different from those at other centers in the country.

The image of the Buddha from the Katra mound belongs to the second century CE. It represents the Buddha with two Boddhisattva attendants. The Buddha is seated in padmasana (cross-folded legs) and the right hand is in the abhayamudra, raised a little above the shoulder level whereas the left hand is placed on the left thigh. The ushanisha, i.e., hair knot, is shown with a vertically raised projection.

Mathura sculptures from this period are made with light volume having fleshy body. The shoulders are broad. The sanghati (garment) covers only one shoulder and has been made prominently visible covering the left hand whereas while covering the torso, the independent volume of the garment is reduced to the body torso.

The Buddha is seated on a lion’s throne. The attendant figures are identified as the images of the Padmapani and Vajrapani Boddhisattvas as one holds a lotus and the other a vajra (thunderbolt). They wear crowns and are on either side of the Buddha. The halo around the head of the Buddha is very large and is decorated with simple geometric motifs. There are two flying figures placed diagonally above the halo. They bear a lot of movement in the picture space. Flexibility replaces the earlier rigidity in the images giving them a more earthy look. The curves of the body are delicately carved.

The upright posture of the Buddha image creates movement in space. The face is round with fleshy cheeks. The bulge of the belly is sculpted with controlled musculature. It may be noted that there are numerous examples of sculptures from the Kushana Period at Mathura, but this image is representative and is important for the understanding of the development of the Buddha image in the subsequent periods.

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